Milanese Polyphony: Bariola’s 10 Canzoni a 4 for Harpsichord (Canzona Collection)Product DetailsISMN:9790080131213 / 979-0080131213Item Number:13121Product Type:Sheet Music (Score)Brand/Publisher:Editio Musica Budapest ZenemkiadComposer:Bariola, OttavioEditor:Fittler Katalin SzilviaGenre:Canzona, Ricercare, Chamber MusicStyle:Late Renaissance PolyphonySetting:Harpsichord (Csembal) / OrganPeriod:RenaissanceLanguage:Hungarian, English, German (Trilingual Notes)Length:48 pagesFormat:Bach (23 x 30.2 cm)Year Published:1989Origin:Made in HungaryWeight:0.192 kgOverview10 canzoni a 4by the late 16th-century Milanese organistOttavio Bariolais a valuable collection of ten strictly polyphonic compositions, expertly edited byKatalin Szilvia Fittler. Published by Editio Musica Budapest in 1989, this volume resurrects works from a composer whose surviving repertoire is relatively small, yet highly significant.The compositions, which originated from Bariola’s 1594Canzonacollection, are structured in a consistentfour-part settingwith rigorous part-writing. Due to their complex polyphony and moderate difficulty, these pieces are recommended not primarily for large concert halls, but as essential repertoire forchurch organists, keyboard players, and dedicated lovers of early musicseeking authentic Renaissance keyboard works. The introductory notes and editorial comments are presentedtrilingually (Hungarian, English, and German).ttekintsOttavio Bariolaksei 16. szzadi milni orgonista10 canzoni a 4cm mve rtkes gyjtemny tz szigoran polifon kompozcibl, melyetFittler Katalin Szilviagondozott. Az Editio Musica Budapest ltal 1989-ben kiadott ktet olyan szerz mveit leszti jra, akinek viszonylag kevs fennmaradt repertorja van, de annl jelentsebb.A kompozcik, melyek Bariola 1594-esCanzonagyjtemnybl szrmaznak, kvetkezetesngyszlam szerkezetek, szigor szlamvezetssel. Komplex polifnijuk s kzepes nehzsgi szintjk miatt ezek a darabok elssorban nem nagyszabs koncerteladsokra valk, hanem alapvet repertort jelentenektemplomi orgonistk, csembaljtkosok s a rgizene irnt elktelezett amatrkszmra, akik autentikus renesznsz billentys zent keresnek. A bevezet jegyzetek s szerkeszti megjegyzsekhrom nyelven (magyar, angol s nmet)olvashatk.Product FeaturesFormat:Paperback (Sheet Music), Bach format (23 x 30.2 cm)Pages:48 pagesLanguages:Hungarian, English, German (Trilingual)Instrumentation:Harpsichord (or Organ, as per historical context)Structure:Ten four-part (a 4) polyphonic canzonas.Period:Late Renaissance (based on the original 1594 publication).Interesting FactsThe Composer’s Context:Ottavio Bariolawas a noted organist at the Madonna de S. Celso church in Milan around 1595. His work bridges the strict contrapuntal style of the late Renaissance with the emerging instrumental forms of the early Baroque.Genre Evolution:TheCanzona(Italian for “song”) was a popular instrumental form of the time, often derived from French polyphonic chansons. It is an important ancestor of the later Baroque sonata and fugue. Bariola’s canzonas are characterized by alternating sections of imitation and homophony.Pedagogical and Practical Use:The edition notes that due to the structure and difficulty, the pieces are ideal forenriching the repertoire of church organistsand for study, serving as excellent practice in four-part polyphonic reading and performance.Scholarly Edition:The editing work byKatalin Szilvia Fittlerensures the pieces are presented in a historically informed and clean format for modern study and performance.rdekessgekA Zeneszerz Httre:Ottavio Bariolaelismert orgonista volt a milni Madonna de S. Celso templomban 1595 krl. Munkssga thidalja a ks renesznsz szigor kontrapunktikus stlust a korai barokk kialakulban lv hangszeres formival.A Mfaj Fejldse:ACanzona(olaszul “nek”) a kor npszer hangszeres